Plenty has been written about the act of running, a therapeutic exercise with capacity for emotional liberation. In the realm of elite athletics, yet, the pressure of competition can cause individuals to overlook of this primary objective. Adapted from the same-named comic, Kenji Iwaisawa’s mesmerising anime looks beyond prizes and accolades to examine the existential drive that fuels an sports star’s dream.
The 100-Meter Film chronicles Togashi and Komiya, early-life buddies whose personal journeys separate when they turn professional. Previously the fastest grade-schooler in Japan, Togashi assists the less self-assured Komiya with the basics. As the duo enter their teens and their 20s, Komiya steadily accelerates up the standings of premier sportspeople, while Togashi is stuck in a slump; both confront anxieties and insecurities. Spanning more than 15 years, the narrative tracks their internal hurdles, laying bare the struggles of an competitor’s existence, caught in a loop of societal observation, achievement demands and commercial obligations.
Perhaps it’s because of the original work, but the movie’s approach to these complex dilemmas is a bit simplistic; time and time again, a protagonist’s uncertainties simply disappear after a lengthy conversation with a fellow athlete or mentor. But what the film falls short in plot refinement and pacing, it redeems itself with in stunning imagery. Utilizing trace-over animation, in which cartooning is drawn atop live-action footage, the movie creates exquisitely intricate dash moments. The physical exertion of a race is clearly shown, and the struggle and triumph of contests are engraved on the protagonists’ forms.
One especially significant race ends in the rain, with cascades of grey strokes that immerse the scene. Beyond spoken words, these flourishes of stylistic brilliance encapsulate the almost spiritual high the film aims to provoke.
The 100-Meter Anime is in UK cinemas from November 16.
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