Evoking the city's relentless energy and vibrancy of São Paulo, filmmaker Caetano's gripping drama focuses on those who inhabit the outskirts of an ever-changing metropolis. Newly freed from juvenile prison, 18-year-old Wellington (João Pedro Mariano) stands at a pivotal juncture; deserted by his parents, the impressionable young man finds solace in the arms of others.
On an evening out with his boisterous group of queer and non-binary friends, Wellington encounters Ronaldo (Ricardo Teodoro), a hunky, charismatic hustler over double his age. Bathed in the flickering glow of a adult movie theater, their first meeting is physical and passionate, with an hint of risk. Ronaldo quickly introduces Wellington to the shadowy world of the sex trade and drug dealing.
The director portrays Wellington’s new life of crime with gentle sympathy as opposed to as a exploitative warning story. Now using the alias Baby, he approaches his transactional encounters with cocky bravado and poignant gullibility. To his clients, Wellington offers more than his youth and his body, but also moments of care.
In the hectic energy of São Paulo, filled with crowded backstreets and vibrant storefronts, there’s a persistent isolation, as rootless people cling on to one another for temporary happiness.
"The city are filled with danger, yet they are the place where they can find their own family, too."
Ronaldo is simultaneously a partner and a sheltering paternal presence to Wellington, but their relationship is derailed by possessiveness and monetary insecurity. Dangers posed by shady figures in the underworld seem minor next to the dread of government monitoring and imprisonment, represented by the looming presence of police officers making their rounds.
Baby is most powerful as a perceptive study of the lost people who have fallen through the cracks the system. The film stands as a poignant look into survival, chosen family, and the pursuit of identity within a harsh urban landscape.
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